Exercises of melodic technique on chords
In the previous exercises, we only worked on the four indicated chords. In this section we will see how to move within the structure of a chord sequence, in order to enhance the structure of that chord. It's worthwhile to mention that the harmonic succession of the exercises involves a development of the fingerings with the fingers of the left hand.
This method of playing with the right hand can be useful either when accompanied by another instrument (or voice), or when developing a guitar solo.
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Here is a simple example to understand how the melodic movement on the chords must be developed. As you can see, we have the two base chords of C and G. The melodic movements are found in the notes of the song, also working with the fingers that are not normally used in the fingering of the chord. |
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Example 1
In this first exercise we will work on the Am, F, C and G chords. Lets analyze each chord.
In Am we need to play a barrč with the first finger on the 4th and 3rd strings, leaving the 5th open. The movement of the notes is done on the 3rd string, and the right hand alternates thumb and index. Furthermore, the bass G note in the last movement of the bar serves to connect the Am with the F that follows.
The middle finger of the right hand also works on the F chord. Notice how the melodic line is built using the same system as that played in the previous bar. Also in this case we find a note (B, 5th string, second fret) that connects the chords.
In the bar of C we find the presence of two consecutive notes played by the right thumb, in the final movement of the bar that connects the C chord with the G that follows.
Closely follow the recommended fingering for the G chord, because we have to give the left index finger the chance to play the A note on the third string. In this case the melodic line only changes slightly.
Example 2
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Lets look at the use of the barrč, starting with the Bb in the sixth position, that goes to an F/A in the fifth. You must keep the index finger pressed when making the finger movements on the melodic line. The change of bass between Bb and F are done by anticipating the second chord of an octave, letting the note F on the 5th string play until the end of the bar. |
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Example 3
Now lets look at an exercise built on a sequence of chords in pure jazz style. Also in this case, the chords are connected to each other in order to develop a melodic line, which in some points is more evident (see the second bar), while in other cases they are somewhat hidden from the harmonic movement of the chords.
Listen closely to the part, so that you can also understand the rhythmic division. Follow the indicated fingering.
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